Jan Mehigan’s Workshop on ‘Neuland’ by Rudolf Koch

Rudolf Koch invented this script while working for Klingspor in Germany.  His wartime experiences led him away from traditional calligraphy to use fundamental strokes to express himself in a modern way.

Jan gave us a range of examples of Neuland, including versions by Carl Rohrs, Gail Vick and Jerry Tresser.  It was challenging to work in a larger than usual scale and be invited to adapt the letters in our own way.  Jan’s demonstration showed us that we would need many changes of pen angle to achieve each letter.  Her enthusiasm and encouragement enabled us to explore a variety of strokes to create our own versions of the letters.

 

Marion Mackenzie’s Workshop on ‘Ben Shahn’

Marion began by giving us a handout of text that had been written out by Ben Shahn. We then copied the letters, using a large nib, to make our own alphabet exemplar from which to work during the day.

Some letters had two or more versions; some were joined together; and there were variations in the sizes of letters within some words.

Using our exemplars we practised the lettering; with Marion encouraging variation and creativity, saying that ‘nothing would be wrong’.

The exercise for the afternoon was to write out our choice of a passage of 30-40 words.

Marion demonstrating

Example of Ben Shahn’s work

Example of Marion’s work

Students’ Work

Jan Mehigan’s Workshop on Batarde

As always, Jan Mehigan’s infectious enthusiasm gave us a very enjoyable & interesting workshop, this time on the Batarde Script. This beautiful, cursive script is a 15th century French version of Gothic.

We began the workshop by tracing over copies of original scripts in order to get a feel for the letters.   Jan suggested that we use fairly large nibs for this initial practice session. Our next step was to practise the letters themselves, and then words and sentences in order to become familiar with spacing.

Our final exercise was to write out a piece of script in French, in red gouache and black ink.  The results using these contrasting colours were very effective and our final pieces were displayed for everyone to see at the end of the day.

13th Century Batarde

Batarde Capitals

Ward Dunham’s American Version of Batarde

Concentration

Starting Off

Capitals

Irish Monk’s Cat

The Gothic Boot

Le French Version

Even More French

Nothing Changes

Beautiful Work

Margaret Stanley’s Workshop on Super Supporters

As expected we were treated to a very interesting and knowledgeable workshop on heraldry supporters by Margaret, a follow on to her workshop on designing Shields. Margaret began by showing us several examples of her beautiful work. We were then able to choose from a selection of traditional animal supporters including a horse, unicorn, bull, boar, goat, dog and griffin. Margaret took us through all the stages of reproducing our choice of animal and then constructing the mirror image to this. She then gave us many tips on how to paint the animals using gouache and which colours to use; how to add muscle definition and outlines. Colour schemes could either be traditional or fantasy. Outlines could either be added with a fine brush or a fine pen.  Finally we added a banner and then chose a Latin motto to add to this. Margaret added that there could be a further workshop on Helms which would then complete our heraldic coat of arms.

Nancy Ouchida Howell’s workshop on Lacy Letters

Members comments:
‘This was a delightful technique for decorating Versals.  With quite simple patterns, using white on black (or any dark colour card), the effect was fantastic!’

Nancy’s natural enthusiasm and encouragement made her Lacy Letters workshop great fun.
It was a really enjoyable day and we left with several ideas for future projects using her techniques.

There was a tutor named Nancy who made us write letters so fancy  …. With the aid of special nibs and paint Nancy enabled us to draw some finely decorated versals.

Nancy’s demonstration of outlines of a versal letter was just the start of a gloriously enjoyable day making contrasting patterns inside and around the edge of versal letters.

A large table of students examples of versal letters decorated with such a variety of curves and straight geometric designs was an inspiration for me.

Jan Mehigan’s workshop on Rotunda

In this workshop Jan taught us the Rotunda script, both upper and lower case. This was done in a very informal and relaxed atmosphere. Jan Mehigan is an excellent communicator. The morning was spent studying the lower case letters, and during the afternoon we concentrated on upper case. To round off the day we were invited by Jan to write out a piece of text or poetry to help us practice the script. A really excellent workshop. Isabel

We had a wonderful time at our Rotunda workshop. Rotunda is a Gothic hand but more rounded in character and comes from late 15th & 16th century Italy. Jan Mehigan is a brilliant teacher and a lovely person, so easy to understand and gave us lots of support and many tips on all aspects of calligraphy. I look forward to our next workshop with Jan (who said she’d love to come back to us!). Bernie

Jan Mehigan is a fantastic calligrapher and one of the nicest teachers of the art I’ve met; she was enthusiastic, encouraging and generous with her knowledge and support; a great day and Jan should definitely be added to the list of Lingfield Scribes’ preferred providers! Karen

JM goes without saying is very knowledgeable, skilled, ‘down to earth’ and engaging! She brought in topics about gilding and making quills and reed pens. Robin

Please thank the members of Lingfield Scribes for a lovely workshop. Jan’s message to students

Jim Linwood’s talk on Copperplate

Jim’s talk was a very personal account of his friendship with Fred Marns and a wonderful exploration of how copperplate emerged inspite of Edward Johnston’s book Writing & Illuminating & Lettering excluding any mention of copperplate.

There were many examples of Jim’s work written with gold and colours on black paper and many other colours on white paper. The compositions were expressive of the poetry’s content & different ways of interpreting the words.  We were able to appreciate the artistry and delicacy of Jim’s copperplate work which he kindly brought for us to see.

Jim had asked Sue for a list of members so that he could show how much he wanted everyone to enjoy a personal piece of copperplate written with their name & hoped they will keep their calligraphic interest flourishing.

Jim is a superb exponent of the Copperplate script. His is also extremely patient and attentive when demonstrating and teaching, and the Lingfield Lovelies all enjoy our meetings with him as they struggle to improve.

Jim was a founder member of the CSIG (Copperplate Special Interest Group) which links fellow-Copperplate folk via a quarterly magazine which consists of work submitted by those of all levels, their experience of learning Copperplate and articles on professional Copperplate calligraphers etc.

Joy Daniels runs the magazine. Incorporated into the CSIG is an envelope exchange which is optional to join. Joy then sends out a list periodically of people to send an envelope to each month. The addresses are then rotated so you have a fresh group of people each time.

Lingfield Scribes are extremely lucky to have Jim living in the locality and that he is prepared to tutor a group of members every couple of months or so, giving us invaluable guidance in our learning of Copperplate of which he is a master.

He has a genius for words and has written many, many comic verses ‘pangramericks’ using all the letters of the alphabet which he freely gives out to us so that we have the fun of using them during our practice.

He is an excellent story-teller and raconteur.  Members enjoyed listening to his talk and answers to questions and seeing his expertise in the work he showed.

Playful with Pencils workshop

Thanks for the fun Lisa

“Lisa showed us how to draw expressive Roman Capitals with a very very sharp pencil.  I enjoyed working with all the stages of classic to casual capitals freeing up habits of formal proportions.”  Sue

“What a lovely day, thanks to Lisa’s patience and infectious enthusiasm I think some of us have become addicted to a new form of writing, I look forward to her coming back next year.” Andrew

“A delightful and well presented workshop.  I hadn’t really used pencils for calligraphy before and it was interesting and informative to learn what could be achieved using the technique of pressure and release, and then adding colour to complete a piece of work.  It is a technique I hope to use in the future.”  Isabel

“I found Playing with Pencils was a FLEXIBLE and FUN script.  Just to have a center line and move your letters around it was a very enjoyable break from the norm.” Judy

Are we having fun? Sue told Peter Thornton how difficult she found pressure & release.   Peter  “Oh I practiced it for a month before it felt natural !!” 

“Fun is when you quit and go and get a martini”  quote from Jim Lewis [calligrapher & graphic lettering artist USA]